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redscharlach:

Otters Who Look Like Benedict Cumberbatch: A Visual Examination.

All otters are from The Daily Otter, for all your ottery Tumblr needs!

(via ratheist)

40,986 notes
From http://blogs.princeton.edu/graphicarts/2012/04/alex_soth_broken_manual.html
1 note

thelinkedringgtb:

Margaret Cameron Idylls of the King 1875

24 notes

thelinkedringgtb:

Margaret Cameron Idylls of the King 1875

8 notes

paxmachina:

The Super Moon

Celebratory flickering around the world venerating the Super moon. That shot of Lady Liberty—-Kosovo, NYC was covered in a thick canopy of clouds this past weekend.

43 notes
My mama and I back in the day. lol

My mama and I back in the day. lol


Yes, I am a total dork (and a bit OCD) but I love my desktop. It’s the simple pleasures….

Yes, I am a total dork (and a bit OCD) but I love my desktop. It’s the simple pleasures….

1 note

Iona

This is pretty interesting! This chart communicates the connections between major cultural events that trigger new art periods/movements in an extremely clear and to the point manner. LOVE IT.

artshers:

Gertrude Käsebier - Zitkala-Sa 1898

artshers:

Gertrude Käsebier - Zitkala-Sa 1898

44 notes
moniledebeaute:

Gertrude Käsebier, Eine Sioux-Indianerin (Plenty Wounds), photogravure (chine-collé) - Atelier Meisenbach, Riffarth & Co, 1901.

moniledebeaute:

Gertrude Käsebier, Eine Sioux-Indianerin (Plenty Wounds), photogravure (chine-collé) - Atelier Meisenbach, Riffarth & Co, 1901.

77 notes
hecate-o:

Gertrude Käsebier’s portrait of Miss Minnie Ashley was one of a set of six photogravures published by Alfred Stieglitz in the magazine, Camera Work in 1905. Stieglitz praised Käsebier as ‘the leading portrait photographer’ in America and marvelled the artistic feeling and harmony of her broad pictures. He even went as far as saying that ‘their strength never betrays a woman’. (From The National Galleries of Scotland collection.)

hecate-o:

Gertrude Käsebier’s portrait of Miss Minnie Ashley was one of a set of six photogravures published by Alfred Stieglitz in the magazine, Camera Work in 1905. Stieglitz praised Käsebier as ‘the leading portrait photographer’ in America and marvelled the artistic feeling and harmony of her broad pictures. He even went as far as saying that ‘their strength never betrays a woman’. (From The National Galleries of Scotland collection.)

5 notes
lacalaveracatrina:

The Manger by Gertrude Käsebier c.1899.

lacalaveracatrina:

The Manger by Gertrude Käsebier c.1899.

5 notes
birdsong27:

Gertrude Käsebier - The Magic Crystal, or the Crystal Gazer, 1904
24 notes